Are you trawling through the Writers’ and Artists’ Yearbook searching for suitable literary agents?
Here’s a simple tip that was given at a writers’ networking event I attended a few weeks ago:
Start at ‘Z’ and work backwards through the agents’ list in the Yearbook.
Apparently, agents at the end of the alphabet receive fewer submissions than those at the beginning, therefore you may have a better chance of being picked up by an agent with a name beginning with ‘X’, ‘Y’ or ‘Z’.
This is, of course, in addition to checking that the agent deals with your genre, is open to submissions etc. etc.
Maybe worth a try?
Debbie from Erewash Writers has been in touch with information about their latest short story competitions:
The first one is FREE to enter. It has a theme of ‘Summer Loving’ and there is a maximum of 1,200 words in which to tell the story. The closing date is 27th August 2015 and the judge is Andrew Campbell-Kearsey, author of more than 100 published short stories. The winner will receive Andrew’s book ‘Centurionman‘, one free entry to the Erewash Open Short Story Competition 2016 plus online publication of the story on their website and Facebook page. Full competition details can be found here.
The second competition is the Erewash Open Short Story Competition, closing September 24th 2015. Entry fees are a reasonable £3 per entry or £2.50 if entering two or more stories. The competition has an open theme and 2,000 words limit. The judge is Simon Whaley. There are two categories to this competition: New Writer and Open.
Prizes are: £100 First, £50 Second, £25 Third, £25 Fourth plus two ‘Highly Commended’ each win 2016 comp free entry.
Full competition details can be found here.
So, no reason not to pick up your pen and get busy this weekend!
The Short Story Competition 2015 is now open for entries. The competition has been running annually since 2011 and ‘… showcases the best short stories from around the world.’
First prize is £300, second prize is £150 and third prize is £50. The winners will be published on the website and may be included in a future anthology. The competition has an open theme and the word limit is 1,000 to 5,000.
Entry fee is £5 via PayPal and the closing date is 15th September 2015 – so it could be a nice project to work on over the summer.
Don’t forget to check the full submission guidelines.
Ever wondered what it’s like to read from an autocue or how to stand when you’re talking to a camera or what the difficulties might be in co-presenting a program?
I’ve just experienced all of these on a TV Presenter Taster Day with TV Training UK. Our tutor was Simon Davies who has a wealth of experience in children’s TV, shopping channel and acting. He was very informative and gave us the six rules of presenting:
- Anchor yourself to the spot so you don’t wander out of shot.
- Look directly into the lens of the camera.
- Be ready for the countdown. The director will cue you in by counting backwards from five but only actually saying, ‘5, 4′ out loud. The presenter counts ‘3, 2, 1′ silently and then begins.
- Arrange your thoughts in groups of three when preparing to speak – this stops you drying up.
- Be yourself but increase your energy/animation levels by 30% to avoid coming over as ‘flat’.
- Don’t gabble but also, don’t speak too slowly as this comes across as patronising.
The participants on the course were all ages from 17 to 60 and from varied backgrounds. Some wanted to make and present YouTube videos to promote their business, others were performers who wanted another string to their bow and some, like me, thought it would be an interesting experience. A handful of them had instant on-screen charisma and it was obvious they would make good presenters. Simon told me that I came across as ‘intelligent’, which I’m taking as a positive but I don’t expect to be hosting The One Show anytime soon!
My only criticism is that there wasn’t time for us to view our autocue or co-presenting footage during the course. But it was available to purchase as a ‘showreel’ (a showreel is an essential part of a presenter’s c.v.).
If you’re interested in having a go at being a TV presenter, the day cost me around £26 via Amazon Local.
Now, maybe I should go and make a video book trailer …
There’s always something new to learn about the book promotion business.
Over the last bank holiday I went away for the weekend and picked up a lovely free glossy magazine in one of the cafes. It had lots of interesting pieces about the surrounding area, a page of readers’ poems and a book review page. On the review page was an interview with a local author who suggested that writers struggling to get traditionally published could, instead, make their work available on Kindle.
I saw this as an opportunity to contact the editor, agree with the local author’s advice, suggest that the aspiring writers in the magazine’s readership might be interested in Kindle Direct Publishing for Absolute Beginners and ask if it could be included on the magazine’s book review page.
The editor replied and agreed that my book would be of interest to the readers … and that the cost of inclusion on the review page would be £100.
I was quite taken aback, not having realised that there was a charge to appear on magazine book review pages. But on reflection, I suppose I shouldn’t have been surprised. A magazine book review is like an advert and we expect to pay for advertising. It’s common knowledge that publishers pay for display space in the major book shop chains – so they probably don’t mind paying for magazine review space.
I politely replied to the editor, confessed my ignorance and didn’t go ahead with the review because I wasn’t sure it would generate enough sales to pay for itself. The editor did explain that since it was a free publication they were reliant on generating income where they could – which I could understand.
Am I the only one that didn’t realise this was how things worked?